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Located in the south of Hubei, known as "the South Gate of Hubei", Xianning has great renown for “Chibi old haunt of the Three Kingdoms, inland nuclear power city”, which has great advantages of its "mountain", "water" "geography","location","culture","scenery","energy"and the trend of development. Xianning is a suitable place to do ...[more]
location
Xianning City, attached to Hubei Province, known as “the southern gateway to Hubei”, is famous for sweet-scented os... [more]
Administrative divisions
Lying in the southeast of Hubei Province, along the south bank of the Yangtze River, and at the junction of Hunan, Hu... [more]
History
 Despite the late administrative construction of Xianning (prefecture-level city), the counties and urban districts under its administration all have a long history. The territory of today’s Xianning belonged to Jing Chu in the Xia and Shang Dynasties ( about 2200-1100 BC), Nan County in the Qin Dynasty(221-206 BC ), [more]
Li Guoguang and His Calligraphy Works
http://English.xianning.gov.cn 11-03-17
 

Li Guoguang was born in Ruanjiang, Hu′nan Province, in 1961. As a master of law, he is now a Standing Committee member of CPC Jiayu County Committee, the deputy county chief of Jiayu County Government. He is also an expert in calligraphy area, member of Chinese Calligraphers' Association, director of painting and calligraphy seminar of Hubei Province, member of the United Committee of Literary Federation in Xianning City, the Vice-Chairman of Xianning Calligraphers' Association, Vice President of Xianning Calligraphy and Painting Research Society, and an honorary chairman of Xianning Young Calligraphers' Association.

He participated in the training held by the Chinese Calligraphers' Association, and was awarded as an excellent student; his works went into many national professional and authoritative exhibitions sponsored by Chinese Calligraphers' Association ,such as the First National Youth Calligraphy and Seal Carvings Exhibition , the Fifth Chinese New Calligraphers' Artwork Exhibition, and "Mrs. Xian Award" National Calligraphy Exhibition. He has won the gold, silver, bronze medals in other national exhibition contest for several times. All those were specially introduced by the party newspapers including Hubei Daily, Calligraphy News and national professional newspapers.















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  彼岸此岸就在脚下

  士与书法,士是书法创作和传播的主体,从能够确定的书法年代最早是《兰亭叙》,距今也有l60O多年了,创作者是东晋名士位右军将军、会稽内史的王羲之,成为书法帖学的重要人物。在书法从应用与艺术之间的不停转换,书体的界定与风格的形成,都由士(应该说是达士或达仕)所定夺。唐楷中虞、褚、欧、柳、颜体的创作者均为士大夫,国家重臣,书法风格衍变史里宋四家,元子昂、廉夫,明清诸家汝玉、玄宰、幼平、觉斯都在政治上有着极为显赫的地位。当然布衣名士文长、青主、完白、冬心破人执缚,高标独蹈。书法由士的传承和创新,张扬了士的个性与才情,在书法发展史长链扣上属于自己的一环,不分身份地位而炫耀士人的辉煌。
  近百年来,书法作为进阶和非职业成份认识度开始转变,经世之学逐步取代了以应用转化为纯艺术的书法,能够体现士人的独特性也淡化,逐渐消解,叹为世之为用而不为虚。尤其这数十年来,社会价值取向有了不同取舍,显然对书法的舍多于取,更彰显了书法脱离应用轨道,而独专于艺术之林的时代必然。同时,非艺术专业成份的达士,在专业与爱好之间的选择十分肯定地属于放弃。士爱书法的风尚迫不得已地悄悄退去。然而在下江处却有一位达士李国光,通经世之术,以运筹帷幄之外而移情于书法,在全国大展频频亮相,而获中国书法家协会会员之佳名,是“两手都硬”的新士人形象。
  国光书法以行草见长,师山谷、觉斯之法,除去了官衙之俗气,焕发出洗炼之静气,抒写脱去羁绊的心情,放手自然的胸襟,立马登高,心邀太古,志存翰墨,周旋自我。取斯文在临与创之间,行至乐于用与悟之得。
  国光权衡左右,直视俯仰,从偷得半日闲的时间观来渡艺海,彼岸此岸就在脚下,国光信步。国光,士人之重在胸次不在执着,在不舍不在迷恋,此为士之道。作此小文以博国光一哂。
                 戊子岁八月于西蜀大研堂上 
        (作者系中国书协篆刻委员会委员,中国书法函授大学教授,四川省书协副主席)



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