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Located in the south of Hubei, known as "the South Gate of Hubei", Xianning has great renown for “Chibi old haunt of the Three Kingdoms, inland nuclear power city”, which has great advantages of its "mountain", "water" "geography","location","culture","scenery","energy"and the trend of development. Xianning is a suitable place to do ...[more]
Xianning City, attached to Hubei Province, known as “the southern gateway to Hubei”, is famous for sweet-scented os... [more]
Administrative divisions
Lying in the southeast of Hubei Province, along the south bank of the Yangtze River, and at the junction of Hunan, Hu... [more]
 Despite the late administrative construction of Xianning (prefecture-level city), the counties and urban districts under its administration all have a long history. The territory of today’s Xianning belonged to Jing Chu in the Xia and Shang Dynasties ( about 2200-1100 BC), Nan County in the Qin Dynasty(221-206 BC ), [more]
Xianning’s 2 craftsmen titled “Hubei Industrial Art Master” 17-08-02

  XIANNING - Two traditional industrial art craftsmen: Gui Hongwei and Li Lijuan from Xianning were titled “Hubei Industrial Art Master” on July 28, according to Xianning Municipal Commission of Economy and Information Technology recently.

  In order to protect traditional industrial art, Hubei Traditional Industrial Art Protection Regulations was issued in 2011, which specifies Hubei Industrial Art Master is evaluated every four years. This evaluation began from June, 2016, 65 people titled “Hubei Industrial Art Master” after screening, review and publicity, and they engage in inheriting 11 categories of crafts respectively, such as sculpture, ceramics, dyeing, embroidery, knitting, carpet weaving, etc.

  Gui Hongwei from Tongcheng is mainly engaged in craft sculpture, with such representative works as the sculpture Chang’e flying to the moon, Heaven and Earth, Portrait (3D printing); Li Lijuan from Jiayu works on wood carving, her representative works including Profound Buddhist Doctrine, Qu Yuan, South Jiayu. By Du Peiqing and Xu Huihuang (

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